After Fleming

Blood Fever

A missing family and an Eton secret society lead James towards an Italian count’s Sardinian fortress.

Type
Young Bond novel
Series position
2 of 5 in this author’s sequence
First published
2006
Suggested age
Older children and teenagers
Audiobook narrator
Nathaniel Parker

The story, without spoilers

The investigation leads towards Sardinia, where an Italian count has a remote fortress. James must work out how the school, the island and the missing family connect.

The second Young Bond novel moves from the first book's Scottish landscape into a Mediterranean adventure. School friendships still matter, but the danger reaches well beyond the boundaries of Eton and involves rescuing another young person.

Can I start here?

Read SilverFin first for James's introduction and early school relationships. Blood Fever is the second Young Bond novel, followed by Double or Die; publication order is the simplest first route.

What stands out

Sardinia gives this instalment a different atmosphere from SilverFin. The link between a hidden school society and danger abroad is the useful hook for readers who want the schoolboy mysteries to expand in scale.

Who wrote it

Higson, a novelist and co-creator of The Fast Show, was commissioned for the Young Bond books before writing Blood Fever. His official Bond work covers both childhood adventures and adult missions.

Where it fits in Bond’s life

Blood Fever is book 2 in Charlie Higson’s Young Bond run. These adventures take place during Bond’s youth, before his adult career and Casino Royale.

Content notes

Older children and teenagers. A missing family, threats to children, murderous enemies and rescue peril.

Main characters

James Bond, Count Carnifex, Amy Goodenough, Zoltan.

Editions and formats

Paperback

ISBN: 9780141343389

Publisher: Puffin

Year: 2012

Audiobook

Read by Nathaniel Parker, 8 hours 40 minutes.

Is Blood Fever worth reading?

Our editorial recommendation is yes if the appeal of Young Bond is watching a familiar hero discover a world larger and less dependable than his school. This is a useful second step after SilverFin: the school connections remain a point of orientation, but the Mediterranean setting promises a different sort of adventure. Readers who enjoyed the combination of youthful curiosity and adult danger have a clear reason to continue. Readers hoping for a gentle boarding-school mystery should take the threatening premise seriously.

The central attraction is the question of connection. A disappearance, a hidden organisation and a distant fortress sound like separate mysteries. Bringing those possibilities into the same story gives you something to follow beyond whether James survives the next emergency. Our advice is to keep an eye on who knows whom. A connection that initially looks incidental can be more interesting than the obvious threat of an intimidating place or person.

School loyalties and a wider world

Higson's official synopsis places the adventure in summer 1933 and links an Eton family's disappearance with events in Sardinia. That combination is useful for understanding the book's particular flavour: James has school relationships, but the consequences of those relationships are no longer contained by school rules. He cannot simply treat unfamiliar adults as teachers with recognised authority or assume that being away from lessons means being safe.

As a reading question, consider what changes when curiosity becomes responsibility. Investigating something strange for the pleasure of the puzzle differs from investigating because another person needs help. Young Bond is especially interesting when those motives pull against one another. You can follow that tension without needing to anticipate the exact shape of the adult secret agent. Let this James make decisions as a young person, rather than marking every action against what you remember from a film.

What to look for without spoiling the ending

The most productive comparison with SilverFin is one of scale. Ask whether a larger geographical canvas makes the danger feel more exciting or more remote. A school gives an adventure a familiar network of people and boundaries; an island adventure can loosen both. Neither approach is automatically better. Your preference may explain why one Young Bond instalment works for you more strongly than another, even when both use the same central character.

Another worthwhile question concerns trust. Young heroes often have less control over transport, money and access than the adults around them. That makes their judgement about other people especially important. Watch the difference between courage and certainty: acting bravely need not mean understanding the situation. This is a useful way to read a youthful adventure without expecting its protagonist to behave like a fully trained professional on an authorised mission.

Choosing it for a younger reader

A young protagonist does not make every part of a thriller reassuring. The premise includes a missing family and a rescue from dangerous adults. Before buying for a reader whose tolerance you do not know, sample the prose together and discuss how they respond to sustained jeopardy. Some readers enjoy being frightened when the main character is close to their age; others find that much more unsettling than danger involving an adult hero.

For shared reading, the strongest discussion is about decisions rather than trivia. When should James seek help? Which people seem trustworthy, and on what evidence? Does an exciting opportunity make him overlook a warning? These questions give a younger reader room to disagree with the hero. Enjoying a Bond adventure need not mean approving of every risk its protagonist takes.

Where to go afterwards

Continue to Double or Die if you want to follow Higson's sequence. If you are browsing rather than collecting, use the Young Bond guide to distinguish the novels from companion material. The series is easier to navigate once the change of author and the separate dossier are clear; neither needs to interrupt a first reading of Higson's five novels.

Our verdict is that Blood Fever is most useful as a test of whether you want the Young Bond project to keep expanding. The promise is not merely a smaller version of an adult 007 assignment. It is the uncertainty of a schoolboy encountering people whose intentions he cannot safely take for granted. Choose it for that perspective, and leave detailed plot summaries until you have finished.

Frequently asked questions

Is Blood Fever a sequel to SilverFin?

Yes. It is the second Charlie Higson Young Bond novel. Read SilverFin first if you want the introduction to this version of James and his school world.

Where is Blood Fever set?

The official synopsis connects Eton with Sardinia and places the story in summer 1933. It takes James beyond a purely school-based mystery.

Is Blood Fever one of Ian Fleming’s original books?

No. Charlie Higson wrote it for the Young Bond series. Fleming’s original adult Bond books are a separate reading sequence.

Where next

Sources (6)
  1. Ian Fleming Publications: James Bond libraryPublisher
  2. Ian Fleming Publications: bibliographyPublisher
  3. Ian Fleming Publications: Charlie HigsonPublisher
  4. Publisher: Blood FeverPublisher
  5. Audible UK: Blood FeverAudible UK
  6. Young Bond: Blood FeverPublisher